La Bohéme with Mathieu van Bellen

April 8, 2019

I am very excited to present a brand new project I am currently working on with violinist Mathieu van Bellen. We are performing Puccini’s La Boheme in it´s full, unbridled glory. Starting in November, we have finally managed to boil the parts of the orchestra, the choir(s) and all the soloists down to a piece for violin and piano. Working only with the intensity of Puccini’s score and projected text, the two of us are bringing the full opera to the stage. The aim is to do this without loosing any of the drama. If we succeed or not remains to be seen, but we truly cannot wait to try this live on an audience.

The show will be premiered at PODIUM Festival Esslingen on the 8th of May.

New concert film of “On Goldberg Variations”

January 26, 2019

I just recieved the final cut of the film version of On Goldberg with Jan Martin Gismervik and I from Podium Esslingen last year. The film is beautifully made by Matthias Heuermann and Simon Höhle with Johann Günther doing the sound. This was a very special concert for me, as it falls quite outside the spectrum of what I normally do as a “classical” musician. However, it ended up being on of the most exciting things I have explored in a long time and I can’t wait to continue this work. The next plans for this project includes an album for Backlash and developing a Part Two, building on the ideas found here. But more on that later.

The film is available for streaming here, and I strongly recommend using headphones to get the full experience.

My first solo album: The Well-Prepared Piano, vol.1

November 17, 2018

After more than a year, the long and thoroughly rewarding way towards making The Well-Prepared Piano a reality, we are finally here. The album will be released everywhere on the 23rd of November, and its an understatement to say I am pretty excited. It’s been an excited time, filled with sessions, weird sounds, hours and hours of Bach and an unbelievable amount of fun. For a person like me who equally loves the worlds of new- and classical music, this project has been feast. Endless thanks to Backlash and #BeBeethoven for supporting the project, no matter how weird it must have sounded at first. Also thanks to Ingibjorg Fridriksdottir, Michael Rauter, Johann Guenther and Katya Abramkina for contributing preparations, brushing and more.

The Well- Prepared Piano

March 22, 2018

I am happy to introduce my latest endevour - The Well - Prepared Piano! It is a project where I perform music by J. S. Bach on many new, altered versions of the piano. These new instruments are developed together with other musicians, composers and artists and each will explore different concepts and ideas. So far I have had exciting sessions with, among others: Peaches, Ingibjörg Fridriksdòttir, Black Cracker, Laurent Chetouane and Michael Rauter. The first concert with this material will take place during the 10th PODIUM Festival Esslingen in May. A selection of instruments will also be featured on my first solo album, to be released on Backlash Music in September 2018. You can read more about the project here

BeBeethoven

February 16, 2018

I am very happy to be a participant in PODIUM Esslingens BeBeethoven program, together with eleven other exciting artists. The fellowship last for three years, and I am very thankful for the opportunity to spend time and energy on some exciting new projects. The first two I present as a part of BeBeethoven will be ready for the PODIUM festival already this May, with the first of several recordings to be realised with funds from the project scheduled for release already in September this year.

So far the process has been extremely stimulating, with some truly special sound emerging during the working sessions that already took place. I will start sharing the upcoming projects here on the website as soon as possible.

Prussian blue

November 30, 2017

It was great to be a part of the Delt med Tveimur festival together with Elfa Rún Kristinsdóttir. Alongside duo pieces by Adams, Xenakis and Sciarrino we also got to commission a new piece from Bára Gísladóttir. Playing completely new music is always a very exciting process, especially when the piece requires the adaptation of as many new skills as this one (among other things I had to wash, paint and whip the piano). Apart from sounding great, the new score is visually stunning and filled with delicious, intuitive impossibilities.

The concert was produced and broadcast live by the Iceland National tv and radio (RUV). The curator of the festival was Berglind Tómasdóttir (http://berglindtomasdottir.com/).

Here is the full performance: https://soundcloud.com/baragisla/prussian-blue

Beautiful old piano at Skillinge Theatre

Festival Summer

September 15, 2017

This summer has been great, with visits to several festivals with many different projects. First of was a traveling piano festival in northern Norway, hosted by the local MiN - ensemble. The festival first took place in Narvik and then once more in Mosjøen. The idea of the festival was to present the vast spread of solo piano repertoire produced throughout the last 250 years. Luckily, the group also invited us to take part in a chamber music event with their musicians, in my case to play an absolutely marvellous piano quintet by american composer Leo Ornstein.

After this I reconvened with the old Khaos gang to do one last performance of Laurent Chetouanes piece at the Malta Festival in Poznan, Poland. I'm very happy to have been a part of this project and it ended up being a very rewarding experience throughout, with many of the thoughts and ideas still going strong in my mind.

Then after a series of concerts with LightOut at Skillinge Teater in Sweden, it was time for the 10th anniversary edition of my own PODIUM festival in Haugesund, Norway. This was a profound pleasure as alway with great musicians, a great audience and lots of friends everywhere. My enjoyment got an extra boost with record audience numbers and two great first performances of commissioned pieces by Michael Rauter and Ingibjörg Fridriksdottir.

HULDUORKA

June 18, 2017

Very excited about this new piece written for me by the amazing and consistently crazy Ingibjörg Friðriksdóttir! I will perform the piece for the first time at the PODIUM festival in the end of July.

Here is a small except from her written introduction to the piece:

Hulduorka is a 20 minute composition for solo piano. The piece was inspired by the concept of cosmic acceleration, which is described as a force greater than gravity. The concept is considered one of the most significant unsolved mysteries in astrophysics, Astronomers have compiled evidence indicating that humans, animals, houses, planets, stars, galaxies etc which are all things we perceive as "the universe", represent a mere 4% of whats actually out there. They use the term "dark" to describe the rest of its contents. This darkness possesses mysterious energy that behaves differently than all other energy. This energy is seen as a property of space itself, because it fails to dilute as space expands.As more space comes into existence, more dark energy appears. As a result, dark energy causes the universe to expand at an accelerating rate. However, dark energy is only a hypothesis. More is unknown than known, so it may also not exist.

Scaldis and PODIUM Festivals

May 19, 2017

The last weeks I had a fabulous time visiting two great chamber music festivals: The Scaldis Festival in the Netherlands and the PODIUM Festival Esslingen. The repertoire included great pieces like the Bartok Violin Sonata no. 1, Tanayev Piano Quintet, Bach Goldberg Variations and many more, with some truly great musicians.

A very interesting project to take part in was the closing concert of the PODIM Esslingen where baritone Dietrich Henschel performed Mahler's Des Knaben Wunderhorn together with a movie by Clara Ponse. I was excited to get the chance to do a few of the orchestra arrangements myself, which is alway allot of fun.

Two fabulous festivals filled with incredible people that I would not have missed for the world.